The Unbeatable Eloquence of Bates

It might seem odd to post a review of Laura Bates’s new book Misogynation: The True Scale of Sexism in the ‘Optimism’ section, but Bates’s work is all about rousing resistance by raising consciousness, and the signature deftness with which she slays anti-feminist rhetoric is truly cheering.

Really this is a review of an event on the topic of her book, rather than the book itself (a collection of previously published essays aimed at ‘joining the dots’ of sexism). And though her writing is good, it’s hearing her speak that is the real Laura Bates experience: she can string together more complex sentences bearing more factual data and incisive arguments with more speed and eloquence than any other public speaker I have ever heard.

Has #MeToo gone too far? Do feminists think wolf-whistling is sexual assault? Read the rest here…

Patrisse Khan-Cullors: When They Call You a Terrorist

A review of a Bristol Festival of Ideas event on the 12th March 2018

The words Black Lives Matter must have reached the ears of most in Britain by now. Comparatively few, however, will know that the global civil rights movement of which they are the name and reigning idea, was founded by three women – two of whom identify as queer. Alicia Garza, Opal Tometi, Patrisse Khan-Cullors. That so many of us who are acquainted with their ideas do not know their names is symptomatic of the racialised sexism faced by black women everywhere, but also testament to the particularly democratic nature of the fight that these three founded. ‘We do not want to control it. We want it to spread like wildfire,’ writes Khan-Cullors in her recent book When They Call You a Terrorist: A Black Lives Matter Memoir, co-written with journalist asha bandele.

Khan-Cullors was with us this week in Bristol to speak about the memoir and the movement. In fact, memory and movement may be said to be the two pillars of the Black Lives Matter approach, for as Khan-Cullors puts it, we need to talk about the trauma that black people have faced and still face, “but we also have to talk about the resistance.”

Thus her book falls into two parts: first, a record of childhoods (hers, and of all the black kids termed “super-predators” by a racist state but “the forgotten generation” by Khan-Cullors) damaged by the repeated message – coming from schools, from police, from the mass incarceration of people in their community – that their lives did not matter. She writes with devastating clarity of the harm done to young people for whom “there is nowhere that they can be or feel safe. No place where there are jobs. No city, no block, where what they know, all they know, is that their lives matter, that they are loved.” She writes of how the state’s staggeringly unjust war on drugs effectively targeted black people over and above whites, and of the “external factors” such as a lack of supports and resources, “including the general sense that their life matters” that “exacerbate chaotic drug use, send people into hell.” …

Read the rest at the Festival of Ideas blog.

Making History, Learning Admiration: An Interview with Dr Naomi Paxton

At the International Women’s Day event orchestrated by Bristol Women’s Voice on Saturday 3rd March, I had the splendid luck to get an interview with suffrage historian (and actress, and comedian, and activist) Dr Naomi Paxton. I was interviewing her for Bristol Women’s Voice, of course, but it felt like a stroke of personal good fortune.

You see, the month of February had seen me delving into women’s suffrage history for a project with the National Trust (and learning more about it in that three-week period than I had in my entire life up to that point, History A level notwithstanding) and I had questions that felt urgent. How was it that I had come out of my Modern History A level with more admiration for David Lloyd George and his welfare reforms than for the women who fought so hard for the vote – for the right to have more say in the welfare of the nation?

So I told Paxton that I was concerned, as an educator as well as a feminist, with how we can better teach the admiration of these women – without it being shouted down as propaganda, which is an accusation that has already been levelled at the National Trust for their ‘Women and Power’ exhibition. She asked me with a shrewd gleam if it hadn’t been propaganda that had led me to admire Lloyd George. Of course I knew that really, but it was so good to have it from the historian’s mouth: we are subjected constantly to a stream of patriarchal propaganda from multiple directions, but this is so normalised as to appear neutral. To teach the admiration of suffragists and suffragettes, in this context, qualifies as resistance or redress.

Let alone admiration, her schooling hadn’t covered women’s suffrage at all. “I did the Tudors, and then I changed schools and did the Tudors again – so I knew quite a lot about the Tudors but nothing about women’s suffrage.” She discovered that history through theatre: through the discovery of suffrage plays. When I asked if she thought it ought to be taught in schools she said, rather generously I thought, that she was sure “every historian is clamouring for their bit of history,” but added that “as a latecomer to this whole story I would have loved to have learned it earlier, yes, and I would love to have learned more.”

This is a big part of the problem, I realised, as I listened to her speak: what we do tend to learn about the suffrage movement is so selective that it creates a partial and distorted image. We tend to learn about the WSPU, or Suffragettes, who were not the largest but only the most militant suffrage society – “perhaps because it’s the most voyeuristically pleasing to find out about” – but we rarely get to see “the wider picture”: it started long before 1903, and it wasn’t all militant campaigning, even for the militant societies. Neither do we get to see what Paxton calls “the wider point”: that “it was never all about a vote – it was about equal pay and better rape conviction rates and anti-vivisection”… and parental rights for women, better conditions for workers, and any number of reforms to “wider society”.

“Without being conspiracy theorists about it,” says Paxton, “I think there’s a sense that people want to consign it to a neat package.” To focus on the vote alone, and on the dramatic clashes between state and suffragettes, is “to consign the suffrage movement to a part of history that feels very ‘done’ … and that allows you to steer attention away from the other subjects that are still relevant and problematic now.”

Yes: when you consider that the fight for women’s suffrage was a fight for better conditions for working class women, for single mothers, for children, for married women, for widows, for prostitutes, for women of all professions, for entry into professions from which women were excluded, not to mention animal welfare and all kinds of social reform – and when you look at the extraordinary opposition to the movement – then it becomes harder to deny the great urgency behind the campaign, or to consign its significance to the past. “Those things are all still very relevant now, and maybe that’s not the best advertisement for our society and how far we’ve moved. Yes women have got the vote, but actually have all these other things moved forward? Do we have equal representation, do we have equal pay, do we have an end to violence against women and girls, do we have equality of opportunity for all? No. That’s hugely problematic, and obviously posting up those things is hugely important.”

Indeed. I had imagined that I couldn’t possibly feel my feminist convictions more intensely – until I began looking into this history and realised what a deprivation it had been not to have known about it before. As Paxton puts it, once you begin investigating one aspect of women’s history you end up asking yourself “‘why am I not learning about women inventors, why am I not learning about women explorers, why are the only women here painted to be very much extraordinary rather than ordinary – why are we not learning about women more widely in our history?’”

Which is why all this noise about the centenary of votes for some women is absolutely vital.

“This year’s really exciting because it gives us a chance to talk about the diversity of the campaign,” says Paxton. Especially now that the film Suffragette has been “done” (“a lot of the major issues have been dealt with: forceful feeding, militancy, and Emily Wilding Davison – tick”), we have the opportunity to explore “the stories that are less violent, or less extraordinary, and that relate more to how people live their lives now. These are the stories that say, ‘Why might you get involved, why might I have got involved? Are you involved in activism; what would make you become involved in activism – and if you did, how would that manifest in your day-to-day life, within your social circles, within your family circles?’ Those are the things that are really important, I think, about learning suffrage history.”

This gives me the occasion to ask her about her own activism: how it manifests in her life – and how much it can change anyone’s day-to-day.

“Oh, hugely,” she says without a moment’s hesitation. Paxton is on the steering committee for a lobbying group called 50:50 Parliament (for which she also actively campaigns); she’s a trustee for a group called Not Buying It, which campaigns against sexualised images of women in the media; she has been involved in London’s Reclaim the Night, in Bechdel Theatre and with Women@Rada (working on gender equality in the field of performance); she’s an associate artist of Scary Little Girls, a feminist production hub; she performs feminist comedy in character as ‘Ada Campe,’ and at present she is working as Research Assistant at Parliament with the Vote 100 team and others on a joint project called ‘What Difference Did the War Make? World War One and Votes for Women’, which you can take a look at online.

Parliament’s Vote 100 project will culminate in a fascinating exhibition this summer called ‘Voice and Vote’, exploring at “how women have interacted with politics and politicians on the Parliamentary estate throughout the past two centuries”. The exhibition will demonstrate, for instance, how the spaces to which women were confined (thrillingly named ‘The Ventilator’, ‘The Cage’, and ‘The Tomb’) created physical as well as symbolic obstacles to their participation in politics. It also looks at how women’s participation in Parliamentarian spaces has changed them. Some online exhibitions from the project are already available: have a look!

The team have also been involved with putting together a ‘MOOC’ (Massive Open Online Course) called ‘Beyond the Ballot: Women’s Rights and Suffrage from 1866 to Today.’ (You can take it for free! I for one am certainly joining the 11,000 who have signed up.) There has been a lot of positive feedback from learners already.

Paxton concludes this list of things she’s doing for the cause of women’s rights and representation with a sincere “and one can do more; but I absolutely try to use my powers for good.”

Trying to imagine how exactly one could do more, I ask her what she might say to women interested in getting into activism, or just setting out: where can they start?

“Oh, well, welcome!” she says, as if really pleased. “Thanks, come and join, and you can start wherever you are. Part of it is finding your own language and articulating your thoughts and your experiences and your ideas; you don’t necessarily have to be the most articulate or have the most knowledge, but find out where you are and work within what you know – and then just try to find out more about the things that you are interested in. Really it’s about becoming articulate in your own way and expressing your ideas and not being intimidated. If there’s a campaign that you don’t see, perhaps start it, or talk about it.

Go to WoW festivals. (I’ve been to so many of them and they’re hugely exciting.) Look at websites. Read books. Research history: if that’s family history, that’s great; if that’s suffrage history, that’s great; if that’s the history of the last five years that you can read on blogs online then do that. Yes, welcome, and start from where you are: there’s no gold standard to be met. It’s about feeling that you have something to contribute – and if that’s three minutes a month, then that’s three minutes more than there were before. Everybody’s voice is important, everyone should have equality of opportunity to participate in creating change for the future – and in representing people who are not always represented. So if you don’t hear your voice there, get it there somehow.”

Before we parted ways I couldn’t refrain from asking her what had come out of the research project: what difference did the war make? This was one of the questions that had a personal urgency for me. That it was the war rather than the campaign which secured votes for women (that the Suffragettes needn’t have bothered making all that unladylike fuss, in short) was the truism repeated by my A level teacher, the same I’ve heard repeated by so many others since then, as though all their teachers had repeated it too… I confessed to Paxton that I felt the argument of the war was used to dismiss the intelligence, the courage and importance of the women’s political campaigning.

“Exactly, yes,” she said, “and it’s really not the case that they got it because they worked hard in the war. It’s just not true.” Politicians at the time stated clearly that “it wasn’t a reward for war work” but a right that ought to be extended to women anyway. And it certainly was no reward, “because some of the women who were most heavily involved in some of the heaviest war work were not enfranchised by the war” – the majority of the Munitionettes and women who worked in the Auxiliary Corps, for instance, were under 30.

There were a number of complex factors, she says, but of crucial importance were the fact that the franchise had to be revised anyway for the men who had been excluded from it by the war (fighting away from home so long they didn’t meet the property qualification); the change in Prime Minister from anti-suffrage Asquith to relatively sympathetic Lloyd George; and – last in this list but certainly not least – the continued campaigning of every single suffrage society other than the WSPU. A deputation of more than 80 women from 33 suffrage societies pushed to have the matter tabled at the 1917 Speakers Conference which was held to discuss the franchise, and which afterwards made recommendations to Parliament. Then it was down to the Commons to decide, and when it came to it Lloyd George did not send out the government whips to push MPs to vote for women’s suffrage. In short, as Paxton puts it, “it could very easily not have happened.”

So there was nothing inevitable about women getting the vote: it had had to be fought for; the fight had mattered. And it matters to us, to know that now: it reveals how much those women shaped our world – teaching us to admire them – and it reminds us how much power we have to shape it for those who will come after us. Which teaches us to admire each other and ourselves.

Having thus soothed my heart, which had so wanted a historian to tell me I could take pride in the world-shaping powers of those women, Paxton left me with this parting advice:

“Read Suffrage newspapers! If you want to find out more, if you want to learn what happened in your area, you want to know a little bit more about the diversity of the campaign – and you have access to the internet – read the suffrage newspapers because they will just open up a whole world. … If you read just one issue you will realise how diverse and representative the campaign was. They are reporting about all the things that happen across the UK, they are reporting about working class women, about women in other countries, they’re reporting about what’s happening in parliament… you’ll see.” She flatly denies the frequently-levelled accusation that the movement was not inclusive. “People want to find fault: ‘where are the men, where are the working class women?’ And they are there, they are absolutely there,” she says.

“And do the MOOC, because it’s free!”

 

 

You can read the suffrage newspapers for free, on Google Newspapers: it has Votes For Women – initially the WSPU newspaper, later was taken over by the United Suffragists – The Common Cause, the NUWSS newspaper, and The Vote, the Women’s Freedom League paper, listed under the title The Globe.

Find out more about Paxton’s comedy as well as her research, and enjoy her highly readable blog, at http://www.naomipaxton.co.uk/.

On Admiring Women: IWD 2018

Despite the attack of the Beast from the East, women of all descriptions (and some men!) flocked to Bristol City Hall on Saturday 3rd March to partake in the International Women’s Day events orchestrated by Bristol Women’s Voice.

Sadly there were a handful of scheduled speakers who couldn’t get to us across the snow-bound country, including well-known suffrage historian Elizabeth Crawford and the women who were to lead the African Voice Forum Discussion –but the wonderful thing is that there were so many brilliant women on the programme that it easily took the hit.

I’m relatively new to Bristol, didn’t know anyone at the event and had sort of expected to spend the day weaving between the impenetrable faces of strangers; only it wasn’t like that at all. We collected in the foyer where Burning Brass, a collective of women drummers and horn players were very successfully turning even ‘Hit the Road, Jack’ into a rousing feminist anthem, and smiles of complicity met me whichever way I looked. I’m not generally given to waxing lyrical about ‘good vibes’, but I will say that a palpable atmosphere of cheerful co-operation seemed to unite the many women of diverse backgrounds and generations. I had been greeted at the entrance by a girl young enough to be my daughter and then fell into conversation with a woman old enough to be my grandmother: this felt precious. And the speakers were approachable in a way I hadn’t expected: suffrage historian, activist and comedian Dr Naomi Paxton granted me such a warm and stirring interview (read it here!) that I was left feeling like I’d been given a pep talk.

With all the will in the world I couldn’t wrangle being in three places at once but I did manage to take in a workshop on domestic abuse awareness by brilliant Bristol charity Next Link; some of Elizabeth Crawford’s talk on suffrage propaganda – read by Paxton; a panel on The Women Who Built Bristol by Jane Duffus; a talk on modern slavery and human trafficking from Unseen; a discussion on the concept of ‘Honour’ with the young people of Integrate UK (who work with other young people on issues around FGM and honour-based violence); and a final panel on fighting gender-based violence in Bristol.

One highlight I’d like to share is Next Link’s simple brainstorming activity on the possible ‘losses’ and ‘gains’ of leaving an abusive relationship, which provides a powerful rebuttal to the judgmental – and common – question ‘why didn’t she leave?’ The list of losses that we drew up together in the workshop was painfully long with items such as ‘the person you love’, ‘your home’, and ‘dreams’. The list of gains, though equally long, featured benefits that would have to be hard-won: ‘recovering mental health’, ‘self-esteem’, ‘new friends,’ ‘a healthy relationship one day.’ As someone who has had to leave the man I love to escape his escalating violence – the hardest thing I’ve ever done – and who met with painful incomprehension and judgment from those who thought it should be easy, it was balm to my heart to witness Next Link raising awareness of what is an all-too-common reality.

I didn’t get to attend the Wonderful Women Awards ceremony (BWV celebrating Bristol women who have been nominated for their contributions to the community), but as I sat, an eager beaver in the front row of the final panel of the day, with Charlotte Gage of Bristol Zero Tolerance (working against gender-based violence), Melissa Blackburn, CEO of Unchosen (working against modern slavery) and Alex Raikes of SARI (working against racist and now gender-based hate crime) – as well as Cheryl Morgan (who runs trans awareness courses) in the front row beside me – I was handing out the awards inside my own head. I had heard so many women speak that day about the work they were doing to make change and improve lives: hard-headed and warm-hearted women; women fighting, women leading. It seemed suddenly as though women were the ones turning the machinery of the world: driving it forwards.

That’s why we need International Women’s Day, I realise, and Women’s History Month, and as much noise as possible about the centenary of votes for (some) women, not to mention noise about the work that women are doing now across so many fields. We need to draw attention to the achievements of women, not as some kind of back-patting exercise but as remedial education. We are learning machines, we humans, collecting great banks of data and storing countless connections; but the dominant culture that most of us learn in does not teach us to associate women with courage, with hard-headed organising, with authority, with leadership. We’re deprived of the histories, of the news stories, even of the films and fictions that would teach us to connect the idea of ‘woman’ with the idea of ‘greatness.’

But just a day like this Saturday goes some way to redressing the deficit. So do books like The Women Who Built Bristol by Jane Duffus, which offers an A-Z of ‘250 inspiring women, three sheroic dogs and one heartbroken barmaid from Easton’ who had an impact on Bristol between 1184 and 2018. (In fact, reading books by women writers only is a good idea: I’ve been doing that for two years and it has had an enormous impact on the way I see the world.)

During the panel on The Women Who Built Bristol Duffus asked her panellists, who were also contributors to the book, what it meant to them to have these histories collected in print. I listened to Dr Naomi Paxton and Dr Finn Mackay agree that it was inspiring and that we can learn a lot from the strategies of the women activists who have gone before us. All true. But for me the book and their clear voices ringing out from the stage had, like all the events that day, one greater significance: they were lessons in admiring women.